Old can be interpreted as a parable of the inevitable trajectory of human life on this earth. The film obviously plays on humanity’s nearly universal fear of aging and dying.
In the film, Last Vegas (Turteltaub, 2013), four older men romp like frat boys in Vegas while a paper thin plot resurrects a past grievance between two of them.
In the recently released, This Is 40, we are shown a week in the lives of Pete (Paul Rudd) and Debbie (Leslie Mann) who are both turning 40. Debbie’s method of dealing with this is flat-out denial, whereas Pete is fine with a party for himself.
The recent feature film, Trouble with the Curve, portrays a different concern with the effects of aging. An alternative title for this film could have been Trouble with Aging. Clint Eastwood plays a crusty ill-tempered oldster (just as he did a few years ago in Gran Torino).
At last. From 2012 to the present, we have reviewed more than four dozen documentary films dealing with several major topics in gerontology and adult development, and aging. Though not excluded by intention, nowhere among those films was one devoted specifically to ageism.
Humor can sometimes be a helpful diversion in dealing with uncomfortable emotions—but humor that is flippant and tin-eared is not. If I were confined to one adjective that best defines the new Netflix comedy, The Kominsky Method, it would be “flippant.”
There is much that is novel about Josef’s Daughter. However, the viewer must be willing to move beyond its now-familiar message that middle aged adults are often confronted with a fresh awareness that aging and death are inexorably linked, that this linkage has undeniable personal relevance for them, and that some of them may have a difficult time coping with the fearsome implications of these facts.
About Face: Then and Now is a revealing and realistic film about supermodels. With perfect beauty and smiling countenance, their faces capture would-be readers of the world’s most popular fashion magazines. They stride and slide confidently down fashion runways, expressing haute couture confidence befitting the expensive clothing they model.