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Attitudes about Aging

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08Jun

Amour

After winning the Palme d’Or at the Cannes Film Festival in May 2012, Michael Haneke’s Amour has received rave reviews from most reviewers, and more recently, an Oscar for Best Foreign Film. At first viewing, Amour seems like it could be a departure from Haneke’s other films, which ask the viewer to tolerate wanton violence or at least the ever-foreboding threat of violence.
08Apr

To Age or Not to Age

In To Age or Not to Age, independent filmmaker Robert Kane Pappas has put together a fascinating exploration of what current research has discovered about the potential to alter the biological process of aging in humans and other animal life forms. The film does a good job of taking a potentially difficult to understand science and making it understandable at a basic level. In the film, several leading researchers talk about how discoveries that were made in the early 1980s are now being refined and brought to clinical trials to test their effectiveness at delaying the onset of major diseases in humans, and thereby extending the human life span.
08Apr

About Face: Then and Now

About Face: Then and Now is a revealing and realistic film about supermodels. With perfect beauty and smiling countenance, their faces capture would-be readers of the world’s most popular fashion magazines. They stride and slide confidently down fashion runways, expressing haute couture confidence befitting the expensive clothing they model.
07Dec

What Time is Left

As young videographer Dakin Henderson (What Time Is Left) drives to a family meeting to discuss his Grandmother Deedee’s desire for a living will, he sings a lament: “And I’m young and stupid. Oh to be old and wise, to be comfortable with the process of my own demise.” The lyric accurately captures the common theme of these two films—the life-long, continuous attempts that people make to come to terms with the meanings of aging and of death. Both films were motivated by different yet personally relevant death experiences.
05Dec

Hope Springs

In the film, Hope Springs, Nebraska residents Arnold and Kay have been married for 31 years. Each morning, Arnold (Tommy Lee Jones) marches into the kitchen, places his suit coat and briefcase on a chair, and is served the same breakfast by Kay (Meryl Streep) which he eats behind the newspaper. Each night he falls asleep in front of an “improving your golf” program on TV and is woken up by Kay, after which they say good night and retire to their separate bedrooms. As trite and stereotypical as these early scenes in the film are, they do quickly establish the context out of which the movie unfolds
Movies About Aging and Elderhood